Saturday, November 26, 2011

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Virmani began her career as a sub-editor in The Times of India in Jaipur in 1987. A few months later she made journalistic history when she filed the story on what happened in Deorala village, Rajasthan. "The news of how a young widow, Roop Kanwar, was burnt on the funeral pyre of her husband led to the ban on Sati being reinforced and this turned out to be a watershed in the women's liberation movement in the country. Virmani might have made journalistic history but she decided to move away from the print media. "Perhaps if I had been a feature writer, things might have been different. But the desk job was stultifying," she says. The next year she won a scholarship to do a Masters degree in Development Communication at the Cornell University, United States. She tried her hand at film making there and her 20-minute student film "Have a Nice Day," was a personal narrative of her alienation, as an Indian student trying to come to terms with North American culture. Returning to India the next year, she learnt the craft of film making. She said "I was keen to engage in communication that would break down literacy barriers. Films seemed to be the best way of doing that."



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Shabnam's camera has consistently and evocatively captured the suffering and the dignity of the rural women of India. "When Women Unite," for instance, portrayed the successful anti-liquor agitation by rural women in Andhra Pradesh while "Tu Zinda Hai" depicted the success of women activists in Madhya Pradesh. In a series of eight 1 minute films, which were telecast on major television networks in India,Bol conveyed the agony of victims of domestic violence and succeeded in spreading awareness.



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Shabnam Virmani is director of the Kabir Project. Started in 2003, the Kabir project brings together the experiences of a series of journeys in quest of this 15th century mystic poet in our contemporary worlds. It consists of documentary films, 2 folk music videos and 10 music CDs accompanied by books of the poetry in translation. The films journey into contemporary spaces touched by his music and poetry. In her films, Shabnam juxtaposes the urban and the rural, the Indian and the foreign, the classical and the folk, and the secular and the sacred, in their many approaches to Kabir and the search for a universal voice. "Had-Anhad" was a joint prize winner at the recent documentary film festival, One Billion Eyes, organised by Prakriti Foundation in Chennai.





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